Freedom as the Core of Art: A Sartrean Account

dc.contributor.authorPoddar, Subhankar
dc.date.accessioned2025-05-23T08:24:21Z
dc.date.issued2025
dc.description.abstractThis article explores Jean-Paul Sartre’s conception of freedom and its integral role in artistic creation. In his seminal work Being and Nothingness, Sartre distinguishes between two realms of being — being-in-itself and being-for-itself. Sartre argues that consciousness, unlike objects, is inherently free because it can negate, reflect, and imagine alternatives. Freedom, for Sartre, is not simply a philosophical idea but a practical condition of existence that allows humans to define themselves. This freedom, according to Sartre, is what enables conscious beings to transcend the deterministic world of objects and engage in self-reflection, choice, and creation. Art, for Sartre, is not a mere representation or imitation of the world but a creation that reflects the artist’s subjective experience and freedom. It challenges traditional notions of art and instead emphasizes the active role of both the artist and the spectator in interpreting and giving meaning to the artwork. By engaging with art, the spectator participates in the process of creation, bringing their own freedom to the interpretation. Finally, the article shows how freedom is the foundation for artistic creation.
dc.identifier.issn0976-4496
dc.identifier.urihttps://ir.nbu.ac.in/handle/123456789/5545
dc.language.isoen
dc.publisherUniversity of North Bengal
dc.subjectFreedom
dc.subjectArt
dc.subjectNothingness
dc.subjectConsciousness
dc.subjectBeing
dc.titleFreedom as the Core of Art: A Sartrean Account
dc.title.alternativePhilosophical Papers Journal of Department of Philosophy, Vol. XXI, March- 2025, pp. 341-352
dc.typeArticle
periodical.pageEnd351
periodical.pageStart342
periodical.volumeNumberXXl

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