Browsing by Author "Chakraborty, Anup Shekhar"

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Open Access
Cinematic and Iconographic Imagery of Gandhi and Public Sphere in India: Some Appreciations, Some Depreciations
(University of North Bengal, 2012-03) Chakraborty, Anup Shekhar
The text and sub-text of contemporary nation-building programme in India and the institutionalised nationalism that it weaves is strongly anchored on ‘the cinematic and iconographic representation’ of M.K. Gandhi. Media, films in parts, conveys or reaffirms reality, and plays a crucial role in the reproduction of the same and become visual texts embedded with messages. People’s perception of media content influences the way they understand the world and react to other people. Media largely remains a symbolic representation of power and its contesting strands in a given society. The paper first looks at the cinematic representations of Gandhi from the 1950s to 2000s and unearths the variations within the same and contrast them with Gandhian world visions. Second, the paper attempts to locate Gandhi in the Statist enterprise and in the popular imagery and construe the realities of the public sphere in India. The paper observes that in this politics of representation, vocality and audibility, media has realised the weight and effect of keeping alive the image of Gandhi in the minds of the ‘aam aadmi’ (large masses/common man) in India. Consequently media, namely print, television, cinema and the ‘new media’ (internet and the virtual spaces, and also cell/mobile communications) have systematically spun and re-spun and celebrated the image of Gandhi both as ‘Mahatma’ and as ‘Bapu’.
Open Access
“Justice of Compensation”: Unravelling the Notion of Justice among the Zo/Mizo Tribes
(University of North Bengal, 2011-09) Chakraborty, Anup Shekhar
Open Access
Shades of South Asian Women in Rasheed Jahan’s Writings: Navigating Patriarchies, Spaces, Regime Control, and Colonialism
(University of North Bengal, 2022-12) Chakraborty, Anup Shekhar; Biswas, Praggnaparamita
Women in South Asia had a different colonial experience compared to that of men. Colonialism liberated indigenous women from traditionally restrictive practices, expanding their mobility opportunities. It also introduced indigenous women to newer forms of colonial patriarchy and sometimes resurrected older forms of masculine privilege. Women attempted to overcome obstacles to education and healthcare, forced marriages, and restrictions on their freedom of movement. A group of women actively participated in the nationalist movement and advocated for women’s rights. Writing allowed colonised women in South Asia to convey their thoughts and experiences and to challenge the oppressive structures that confined them, ultimately leading to women’s liberation. By drawing attention to the intersectionality of gender, religion, and culture, women writers in South Asia, particularly the Islamic women writers have contributed significantly to the feminist movement. These writings have given Muslim women in the region a voice and have challenged patriarchal norms and stereotypes. The writings of Rasheed Jahan, Ismat Chughtai, and Qurratulain Hyder continue to serve as a source of inspiration and motivation for future generations of women. The present study delves into the literary works of Rasheed Jahan, with a focus on the portrayal of South Asian women and their experiences in overcoming various forms of patriarchal oppression, their navigation through regimes and their mechanisms of control, their struggle for establishment of identities in diverse social settings, resisting authoritarian regimes, and recovering from the aftermath of colonialism while carving out spaces for their survival.
Open Access
“Where are the tlawmngai Zo/Mizo men?” Gendered living spaces and Masculinity codes
(University of North Bengal, 2021) Chakraborty, Anup Shekhar
In order to address the gender disparities that exist in developing societies, it is necessary to have an understanding of gendered spaces. Institutions, both formal and informal, frequently play a role in determining how a society’s resources, freedoms, and privileges are distributed among its members. This research investigates the matrices of men’s public visibility in relation to the tlawmngaihna code in order to get a better understanding of the pressures that men face in societies that have strong gender norms. The research does this by looking at the world through the lens of men and masculinities. Both the machismo of politics and the edicts of the Nexus of Patriarchy place constraints on the naturalness of men and their capacity to connect with the natural world. The conventional masculine members of the Zo and Mizo ethnic group are reimagined as exemplars of ecologically responsible perfection. Despite this, members of the community and outside observers continue to question their visibility, asking, “Where are the tlawmngai Zo/Mizo men?”