Please use this identifier to cite or link to this item: http://ir.nbu.ac.in/handle/123456789/4849
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dc.contributor.authorSarkar, Bijoy Kumar-
dc.date.accessioned2023-04-06T07:01:14Z-
dc.date.available2023-04-06T07:01:14Z-
dc.date.issued2021-03-
dc.identifier.issn2229-4880-
dc.identifier.urihttp://ir.nbu.ac.in/handle/123456789/4849-
dc.description.abstractThere are around two millions temples in India; each year the number increases considerably. From the architectural perspective, two major temple-styles in the country are Nagara and Dravida, the former in the north and the latter in the south. However, there is another style known as Vesara, which is nothing but the combination of the Nagara and the Dravida style. In eastern India, there has prevailed an overlong tendency to focus on the temple art and architecture of the Aryavarta (the Indo-Gangetic Plain) in academic writings, which naturally gives an incomplete picture of India and its history. The present paper is an attempt at paying particular and deserving attention on the art history of South India – specifically speaking Tamil Nadu - through looking into the sculptures of minor divinities as found on the Padalisvarar Temple in the town of Thirupathiripuliyur under Cuddalore District in the state of Tamil Nadu.en_US
dc.language.isoenen_US
dc.publisherUniversity of North Bengalen_US
dc.subjectSouth Indian historyen_US
dc.subjectAdichandikesvaraen_US
dc.subjectArt and Architectureen_US
dc.subjectPadalisvarar Templeen_US
dc.subjectSculptureen_US
dc.subjectNayanarsen_US
dc.subjectShivaen_US
dc.subjectBrahmaen_US
dc.subjectSuryaen_US
dc.titleMinor Divinities in Padalisvarar Temple in Tamilnadu: Iconographical Significanceen_US
dc.title.alternativeKaratoya, NBU J. Hist. Vol. 14, March 2021, pp 1 - 11en_US
dc.typeArticleen_US
Appears in Collections:Karatoya Vol.14 (March 2021)

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