Historical Assessment of Floral and Faun al Representation of Ancient Indian Sculpture

Please use this identifier to cite or link to this item: http://ir.nbu.ac.in/handle/123456789/3891

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DC Field	Value	Language
dc.contributor.author	Lama, Sudas	-
dc.contributor.author	Choudhury, Anamika	-
dc.date.accessioned	2021-03-05T06:45:42Z	-
dc.date.available	2021-03-05T06:45:42Z	-
dc.date.issued	2017-03	-
dc.identifier.issn	2229-4880	-
dc.identifier.uri	http://ir.nbu.ac.in/handle/123456789/3891	-
dc.description.abstract	The Sculptural art of India occupies the foremost place in the history of world art. The artist in India had attained a high degree of excellence at a very early period and specimens produced by him are truly marvels of human industry and skill. One finds in them an intensity of feeling, a revelation of the powers of the unseen which is not approached in the art elsewhere in the world. The success of artistic production depends on the intensity of the artist 's realization of his beauty and his ability to interpret his experience to others.	en_US
dc.language.iso	en	en_US
dc.publisher	University of North Bengal	en_US
dc.subject	Sculpture	en_US
dc.subject	Animal figures	en_US
dc.subject	Maurya	en_US
dc.subject	Rhythm	en_US
dc.subject	Flora	en_US
dc.subject	Fauna	en_US
dc.title	Historical Assessment of Floral and Faun al Representation of Ancient Indian Sculpture	en_US
dc.title.alternative	Karatoya, NBU J. Hist. Vol 10, March 2017, p 82 - 94	en_US
dc.type	Article	en_US
Appears in Collections:	Karatoya Vol.10 (March 2017)

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