Please use this identifier to cite or link to this item: http://ir.nbu.ac.in/handle/123456789/3505
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dc.contributor.authorMurmu, Maroona-
dc.date.accessioned2020-10-15T10:19:30Z-
dc.date.available2020-10-15T10:19:30Z-
dc.date.issued2018-03-
dc.identifier.issn2348-6538-
dc.identifier.urihttp://ir.nbu.ac.in/handle/123456789/3505-
dc.description.abstractWestern literary autobiography is conventionally conceived of as a unique form of self-presentation by a ‘singular entity’ proclaiming his superiority over and distinction from a myriad of relative nonentities. This paper shall try to socially locate the autobiographical endeavour and the essence of the lives of two Hindu bhadramahilas through their diary and autobiography. An attempt would be made to find out the significance of the distinguished ‘I’ when a woman constructs her autonomous entity and the agency of othersaround her. It will be explored whether self-construction of women whose families were active in the socio-political transition in nineteenth-century Bengal bore marks of an ‘idiosyncratic,’ ‘individuated,’ ‘inviolable,’ ‘singular’ self-considered essential for life-writing.en_US
dc.language.isoenen_US
dc.publisherUniversity of North Bengalen_US
dc.subjectPersonal Narrativesen_US
dc.subjectAgential Voicesen_US
dc.subjectFemale Experiencesen_US
dc.subjectFemale Experiencesen_US
dc.subjectFragmented Subjectivitiesen_US
dc.subjectDismembered Recollectionsen_US
dc.titleInscribing the Self by the Cultural Others: Kailashbashi Debi and Saradasundari Debien_US
dc.title.alternativeSOCIAL TRENDS Vol. 5 March 2018 p.15-36en_US
dc.typeArticleen_US
Appears in Collections:Vol. 05 (March 2018)

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