Sarkar, Sourav2025-11-292024-122320-3625https://ir.nbu.ac.in/handle/123456789/5668Photography, introduced to India shortly after its European invention, became a pivotal tool in documenting and shaping colonial life. In Darjeeling, amidst the scenic eastern Himalayas, photography captured the region's exotic appeal and socio-economic changes under British rule. This article explores the visual representation of women in colonial Darjeeling, revealing how photographs perpetuated imperialist ideologies while offering insights into women's lives and agency. By examining images of women tea plantation workers, local elites, and everyday individuals, this study highlights how photography both reflected and constructed colonial experiences, reinforcing stereotypes and justifying British rule through narratives of primitiveness and the need for a civilizing influence. Despite many exploitative depictions, some photographs also showcase women's resilience and contributions to the colonial economy and society. This research underscores photography's importance as a historical document and medium of expression, providing valuable insights into the gendered dynamics of colonialism and the broader imperialist project in Darjeeling. Through these lens, we better understand the interplay between power, representation, and identity in colonial India, appreciating the multifaceted role of women in shaping and being shaped by the visual culture of the time.enPhotographyWomenImperialistTea plantation workersColonial DarjeelingArticle