Please use this identifier to cite or link to this item: http://ir.nbu.ac.in/handle/123456789/3853
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dc.contributor.authorLama, Sudash-
dc.date.accessioned2021-03-03T08:46:49Z-
dc.date.available2021-03-03T08:46:49Z-
dc.date.issued2015-03-
dc.identifier.issn2229-4880-
dc.identifier.urihttp://ir.nbu.ac.in/handle/123456789/3853-
dc.description.abstractThe time has not yet come to write a history of Buddhist art. Such a study needs a detailed description of all the collections of Buddhist art preserved in different parts of the country and outside the country. The Buddhist painting of Darjeeling characterized the pantheon of northern Buddhism. It is very difficult task to distinguish and classify the host of many-armed and many-headed divine beings, armed with whole arsenal of warlike attributes, the numerous figures of saintly lamas, abbots of monasteries, who appears on painting side by side number of religious symbols gives multiple meaning and disseminate the idea of direct intuition along with ethnographic variation.en_US
dc.language.isoenen_US
dc.publisherUniversity of North Bengalen_US
dc.subjectBuddhismen_US
dc.subjectPaintingsen_US
dc.subjectDarjeelingen_US
dc.subjectTakling Phunchok Choling Monasteryen_US
dc.subjectTamangen_US
dc.titleBuddhist Paintings of Darjeeling: Identification and Interpretationen_US
dc.title.alternativeKaratoya, NBU J. Hist. Vol 8, March 2015, p 1 - 10en_US
dc.typeArticleen_US
Appears in Collections:Karatoya Vol. 8 (March 2015)

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